There's an image by photographer Siegfried Hansen where white tape winds round a lamppost, blending perfectly with the white painted line on the road. It's a clever play on composition that, I argued in a group discussion, was definitely set up. Not that being set up is such a bad thing, but it does make you question as to what is real and what is constructed or digitally manipulated. The reason why it is so good, I was told, is the very fact it wasn't set up. Much as I still admired the image, I still would have bet the house it was set up - I mean, how often do you see things like that in the everyday world?
The very next day I was dining on humble pie, as I spotted this yellow tape and double yellow line combination in Shoreditch.
I don't think it's anywhere near as good as Siegfried's but maybe it's taught me not to be so cynical in the future.
Till next time...
Matt Peers
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I was obviously a good boy in 2019, as at Christmas, Santa Claus flew via Japan and got me a 75mm f4.5 shift lens for my Pentax 67II. Where better to test the precise verticals than the clean lines of Milton Keynes…
It has nearly been 12 months since I got my hands on a Rolleiflex 2.8f, and whilst I'm not usually a reviewer of equipment, I'd like to share my experience of using this iconic camera and the inspiration behind me finally owning one.
What you doing?"
"What you doing that for?"
"Why here?"
I get these questions regularly when I'm out shooting, but never more so than my recent couple of visits to Milton Keynes.